多摩湖の(🏓)ほと(🚜)りで男性の遺(🔆)体が発(fā )見され(🏯)た。遺(😟)(yí )体の身元(📑)は、株(zhū )式会社橋(😳)本(běn )商(shāng )事(🍤)の社(🕳)長で(🕹)ある橋本圭一（山上賢治）と(🎌)判明(🖥)。死因は(💝)頭が(🏻)い骨の骨(gǔ )折(shé )による失血(xuè(🌅) )死(sǐ(🈺) )で、(🧓)後頭部(🍼)(bù )を(💧)鈍器のようなもので殴打され(🏓)てい(🚽)た。身(shēn )元確(🐃)認に(👰)来た社(shè )員の(💟)伊藤（浅(qiǎn )香航(🚕)大）(🤔)によると、(🏠)橋本(🐽)は最後の電話(📀)で、兵庫の「丹(⭕)波篠(🤩)山」にいる(🥊)と言っていたとい(🎽)う。遺(🔶)(yí )体(tǐ(🌔) )が発(🕛)見さ(🏸)れた東京の多摩(mó )湖(hú )からは(🎲)距離(🔐)がある(📿)こと(🙊)から、別の場所で殺害された(🈹)後(hò(🛩)u )に遺(🤙)棄され(🐆)た可(📴)(kě )能性がでてきた…。

神秘工(gō(🥂)ng )厂深(😾)夜突发离(lí(🌽) )奇案(🐉)件，一名(míng )员工(👦)离奇惨死(sǐ )，人人(🔥)都传(🐣)是(shì )不(bú )知(♍)名异(🕡)兽所(suǒ )为，一时(🌻)间案件变得神乎(🍗)其神(💷)。国际知名灵(🚤)异侦探社接到(dào )被(🤸)害人(🏓)家属的(👑)(de )委托(🚗)，介入(👶)此(cǐ )案(àn )调查，却被(bèi )一(yī )系列(🏌)假线(🥘)索(suǒ )误(🆚)(wù )导(🈂)，将凶手锁(suǒ )定在厂长身上(shàng )，然(💓)而厂(🕔)长在(🉑)(zài )不恰(🌹)当的(🗝)时机(jī )自(zì )杀，使得案(àn )情(qíng )更(🧝)加扑(🏈)朔迷(mí )离(lí(💧) )。厂长(🍁)死后，其女儿光(✈)子将(jiāng )侦探社社(🍁)长何(🎎)(hé )生告上法(🥂)庭，导(dǎo )致侦探社陷(🧘)(xiàn )入(rù )信誉危机(〰)。

1926年，在(🐸)面临个人生(🖨)活破碎和写作瓶颈(📈)危机(🛄)的情况(👁)下，年(🏻)轻的阿加莎.克里(lǐ )斯蒂决定自己(jǐ(😡) )去(qù(🍼) )解决一(😞)个真(🌼)(zhēn )实(shí )生活中的谋(móu )杀(shā )案。

印(🕌)度每(🎩)年(nián )有超过(🐦)二万(🏹)宗(zōng )针对女性的暴(bào )力罪案，平(🎁)均(jun1 )每(🥥)(měi )二十二分(💚)钟(zhō(🚍)ng )就(jiù )有一名女(🐲)性(xìng )被(bèi )强暴，每(❣)六小(🔮)(xiǎo )时就有一(🚠)名妇(fù )女因家庭暴(👉)力(lì )丧命。年轻的(🥘)(de )基(jī(👃) )层女警索妮(🥋)(nī )与(yǔ )上司卡帕纳(🏌)(nà )在(⏫)德里一(🤭)同接(🔥)手调查不同的女性暴力事件，在办案(🌑)过程(👁)中往往(🗝)遭受(🚖)到了(le )重大阻力，无(wú )日(rì )无之的(🈶)罪案(⏭)(àn )令(lìng )她脾(💶)气暴(😣)躁(zào )，做事方式偏离(lí )常规，被裁(🐉)定(dì(😃)ng )在执勤中行(🔧)为(wé(👥)i )不当，而私人(ré(🕞)n )生(shēng )活也影响到(🎂)(dào )了(⌛)(le )她的职业表(🤰)(biǎo )现(xiàn )，与丈夫已经(🤮)(jīng )彼此疏离，却(què(📺) )要被(🍿)迫面对他(tā(🎹) )突然的到访。印(yìn )度(🤒)电影(🐐)少见(jià(🌞)n )的(de )写(👬)实题材，以一场一镜营造出真实迫力(🏸)，将社(🎤)会低下(🐗)层女(🤲)性受到压迫的问题表露无(wú )遗(🏻)。

电影(🔚)讲述(shù )了(le )天(🕜)蛊门(🎓)蛊师(shī )蓝(lán )左，于70年代(dài )初(chū )在(🐩)苗疆(🧕)逃亡时(shí )滚(🃏)入未(🍦)知山洞(dòng )。多年(🛸)后，在(zài )千年一遇(👨)的血(💉)(xuè )月(yuè )之夜(🛃)，蓝左(zuǒ )曾(céng )经的队(💁)友刘(liú )洪(hóng )绑架(🏨)了8名(🏟)至阴(yīn )女性(🌆)炼“活人(rén )蛊”，企图复(🙇)(fù )活(🆔)上古时(🎈)期的(🛰)(de )蚩(chī )尤，让血蛊(gǔ )门(mén )东山再起、扬(🆘)(yáng )名(🏡)世界。就(🔘)在此(🚧)时，当年跳崖的蓝左，返老还童成(📸)“小鲜(👌)肉”重现人(ré(🔺)n )间，联(🔭)手以苗(miáo )医(yī )身份隐匿江(jiāng )湖(🍆)(hú )的(🎃)妻子蓝姨(yí(🏗) )，高校(🎻)叛逆学生(shēng )妹(💌)蓝湘婷，与(yǔ )刘洪(🍰)对决(🥪)一场(chǎng )大虫(🍖)师之异形(xíng )大(dà )战(🏫)，以阻止(zhǐ )这(zhè )场(♓)人间(🔄)浩劫(jié )。

这部(💬)电影以著(zhe )名作家兼(🍆)记者(🎺)(zhě )Mintu Gurusariya的自(🎇)传Dakkuan da Munda为(🎂)基础(chǔ )。当他是一名(míng )年(nián )轻的卡巴(💬)迪(dí(🚗) )球(qiú )员(🈶)时，Mintu成(🏰)为(wéi )吸(xī )毒成瘾者。接触毒品也(🥀)将他(🖕)引入犯罪市(🙎)场。但(⏹)今天，他成了年轻人及(jí )其家人(👽)的灵(🕧)感(gǎn )，因为他(🥤)设法(🔲)(fǎ )摆(bǎi )脱了他(💹)的束(shù )缚(fù )，打破(🚉)了他(👫)与(yǔ )毒品和(👈)犯罪的(de )关系。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

光绪推(🤮)(tuī )行维新新政，却(🤽)(què )遭(🍌)到以慈善(shà(🔌)n )太(tài )后为首的保(bǎ(🛰)o )守(shǒ(🕌)u )派抵触(🉑)，光绪(🍡)(xù )打算依靠袁世(shì )凯囚禁慈禧，被袁(🏆)世凯(🙁)出卖(mà(🐒)i )，慈禧(🎽)将光绪(xù )幽(yōu )禁在瀛台，以(yǐ )慈(📛)禧为(🙇)首的保守派(📳)开始(🈯)铲除支持光绪推行新政的朝中(👘)大臣(🥉)和各界维新(🅾)(xīn )人(🐸)士。 慈禧为(wéi )笼(🔒)(lóng )络支持维新(xī(🤴)n )的(de )广(🤗)州大将军(jun1 )，将(💶)和硕公主赐(cì )予大(👰)将军之子(zǐ )为妻(💜)。和硕(🐠)公(gōng )主抵死不从。光(guāng )绪央求和(🏌)硕(shuò(😒) )公(gōng )主(🤾)以和(🌲)亲的(de )名(míng )义将维新革命(mìng )党一干人(🤥)等秘(💬)(mì )密护(🕤)送到(❔)广州(zhōu )，交由大将军(jun1 )将(jiāng )他们送(😄)至香(🚑)(xiāng )港(gǎng )，继续(🔂)维新(🐌)(xīn )革(gé )命，和硕公主为了大义答(🏞)应下(🤒)嫁。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.