The Leprechaun&
The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
这(zhè )部(🐥)现(🤩)代(💺)(dài )童话故事围(wéi )绕一个(gè )女孩在一座(zuò )神(🛋)秘(🗺)城(😽)(ché(👢)ng )市(🙄)中(🚜)的(♿)奇幻(huàn )冒险展(zhǎn )开。U2乐(lè )队主(zhǔ )唱Bono与维(wéi )姆(🥝)·(🔮)文(👧)(wén )德斯(sī )共同担(dān )任监制(zhì )，Bono与威利(💐)·(👶)纳(🍸)尔逊操刀原声歌(gē )曲。
“NO BORDER 2D×3D” をキャッチフレー(🤭)ズ(💻)に(☕)掲(🎊)(jiē(🥌) )げ(🌥)、(👪)2Dと(🕹)3Dの境目をなくすクリエイティブな活(huó )動(🧜)を(📶)目指す３DCGプロダクション“Picona Creative Studio”。本作はどん(🎊)な(✅)も(🏭)のでも捨ててみせるゴミ捨て屋(wū )コンビ(🚁)と(🌚)、(✌)魔(🛀)法(🐦)を(🚬)捨(🧀)てたい魔女が繰(qiāo )り広げる、ファッショ(🚜)ン(🕚)× ポップ× アニメをキーワードに魔(🚡)(mó(🔇) )法(🛃)と科学を絡み合(hé )わせたスラップスティ(🖌)ッ(🎷)ク(🎲)・(🎧)ア(👹)ニ(🎈)メ(❕)ー(🎌)ション。同社が長年温(wēn )めてきたオリジナ(👣)ル(🥢)企画が、ついに実現！
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
该片改编自(zì )脱(🚬)北(📶)女(❗)性的真实故(gù )事，讲述的(de )是抛开(kāi )家人，逃往(📌)(wǎ(😉)ng )韩(🔶)国(🏪)的(🍮)(de )母(🥊)亲(🖖)与憎恨(hèn )自己的(de )儿子在16年后(hòu )重逢的(de )故事(🍶)。
在(🌱)贝(bèi )鲁特一(yī )个街角(jiǎo )的咖(kā )啡店二(👷)(è(🏚)r )楼(🍏)，有(yǒu )一面大大的(de )转角窗和一台电视(shì )机，一(🤳)位(🐦)78岁(🛅)的(🔒)退(🥊)伍(⤵)(wǔ(🍘) )将(👹)军和一位81岁的退(tuì )伍军医每天早上都(dōu )会(🎗)在(📍)这(zhè )里碰面，看着街角(jiǎo )车来人往，做着(Ⓜ)填(⛱)(tiá(🐐)n )字游戏，以此对抗(kàng )阿茨海默综合症。伴随两(⛄)位(😎)老(🕟)(lǎ(📍)o )人(💦)的(⬆)玩(🎇)(wán )笑和字谜，咖啡馆(guǎn )的顾客纷纷(fēn )登场。本(👚)片(🚧)用发生(shēng )在一个(gè )社会小角落(luò )16天之(🎉)内(🏴)(nè(🏹)i )的一系(xì )列事(shì )件，四(sì )两拨千(qiān )斤地讨论(✂)了(🚏)(le )人(🙄)生(🚫)、(🤜)政(😦)治(🌽)、(❗)历史(shǐ )等话题；通过单场(chǎng )景多幕剧的结(🎵)构(🚄)让(ràng )人感受到老人们的(de )孤独，以及疾病(🔀)带(😰)来(🏌)的苦(kǔ )涩，同时映射出黎(lí )巴嫩暴力事件肆(😲)虐(🥨)(nuè(🗓) )的(❔)现(🈶)状(🔘)。以(🌐)小见大(dà )，令人回味(wèi )。
本片(piàn )撷取了发生(shē(👑)ng )在(🔇)中国(guó )北方小城镇(zhèn )中一个(gè )中国青(⛴)年(🐠)出(🛬)(chū )狱后的(de )一段人生经(jīng )历，讲(jiǎng )述了一(yī )个(🈸)小(🤘)(xiǎ(🐼)o )人(😛)物(🔚)在(🍹)(zà(🌚)i )商品经(jīng )济的(de )大潮中(zhōng )与时代的隔离，以(yǐ )及(🧣)人(🏠)们对金钱的崇(chóng )尚和理想、道德的(de )流(🎱)失(🔨)，对社会与人(rén )性作出(chū )了深度拷问。尤其(qí )是(🤛)本(🤱)片(😲)以(🐽)中(📂)国(➖)农(🏰)历(lì )冬季的四个节气作(zuò )为篇章，具有强烈(🚾)(liè(😝) )的中国文化(huà )符号视(shì )觉。
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