４K/8Kの(🥞)高(🛢)(gāo )解像度による大型映(🅱)像(🐻)(xiàng )をはじめ、CMやPV、テレ(😗)ビ(💛)番(fān )組、(🏑)さらにはwebクリエ(🏙)イティヴ(⏹)・デザインやグ(🤠)ラフィッ(🤥)ク方面でも活(huó(🏹) )躍(🗞)するIMAGICAイ(🙇)メージワークス(💍)と(🌳)、『ALWAYS三(sān )丁目の夕日』(♈)シ(🛰)リーズや『永遠の０』な(🎞)どの大ヒ(🏊)ット作で知られ(🚳)る映像制(🍩)作集団ROBOTがタッグ(🐻)を(🚜)組んで(🈳)、子どものころ(📘)に(🐖)見た夢を失(shī )いながら(🙊)大(😌)人(rén )になり、多忙(máng )を(✈)極(👈)めて久し(💯)い現代(dài )人の心(🔪)に、かつ(🥔)てのあの“想い”を(🌀)蘇らせる(⏳)SFファンタジー！
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
又(📧)(yò(🛁)u )到了(le )年(🦂)末，阿呆和阿瓜像(👡)所(🛄)有人一样，开始为圣诞节(🎀)(jiē(🍳) )及新年PARTY做准备(bèi )，但是，作为(🌠)(wéi )这个世(😙)界(jiè )上动(dòng )手能(🏫)力最(zuì )强(🚋)的(de )小发明家，怎么(👮)能(🕐)跟(gēn )普(✏)通人一样来(lái )装(🍢)扮(🍐)自己的院(yuàn )子和房子呢(🕧)？(🍚)于是，两(liǎng )个好(hǎo )朋友开(🍇)动(🐎)(dòng )脑筋(jī(😨)n )，对自己的家展开(❗)了(le )不一样(🤺)的改造(zào )，当然，他(🍜)们(men )也没有(🎲)忘记帮(bāng )自己的(🔻)好(🕳)(hǎo )朋友(🍧)(yǒu )选一件“最好(hǎ(❗)o )的(🚷)礼物”。
An estranged family take a trip to the desert in their used RV but become stranded and isolated in the scorching terrain. They soon learn their RV holds terrible, haunting secrets, and it starts killing them off one by one.@艾米电影网
一对情(🍖)侣(✍)外(wài )出度假，入住(zhù )豪宅，然(😣)而，当他们(📅)半(bàn )夜醒(xǐng )来，却(🚢)发(fā )现自(🚢)(zì )己躺在一(yī )个(🤕)处(🛰)处充斥(👻)着恐怖氛围的(de )荒(🍋)弃(🕌)诡宅中……他们意欲逃(💫)(tá(🗨)o )离，然而(ér )却始(shǐ )终逃不(👪)出(🐈)(chū )去，努力(😒)奔逃(táo )，但(dàn )逃往(👅)的地点却(🗞)还是这(zhè )所诡异(🍬)的荒宅(zhá(😦)i )……更恐怖的(de )是(🤞)，当(📖)他们再(🎟)(zài )度回到这(zhè )座(🌤)诡(👅)(guǐ )宅，却发(fā )现，时间跟他(🛋)们(🦄)走出去的时间，一样……
林(🕞)义与女朋(🗞)(péng )友赵婷、朋友(👐)(yǒu )马三探(🖕)亲(qīn )途经(jīng )大青(🅱)沟，无意(yì(🙎) )得知商人王金堂(🐶)勾(⏱)结土匪，欺行霸(bà )市，独揽(🕰)该(🙅)地(dì )人参生意。几(jǐ )经周(📢)折(🍷)，最终(zhōng )在林义的(de )带领(lǐng )下(⛲)，众人(rén )将(📗)以(yǐ )王金堂为首(🐟)的恶人打(💀)(dǎ )败，还靠山镇(zhè(🈚)n )往(🛒)日欢乐(🐀)祥和(hé )之景。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
